Roll cameras: Looking back on movies filmed at Tulane
Lila Mago, Contributing Writer
• September 13, 2023
“Nope”: The Horrors of Spectacle
Holly Fortner, Contributing Columnist
• September 14, 2022
OPINION | Hey Hollywood, Southern Accent depends on ‘where y’at’
Faith McLean, Associate Arcade Editor
• December 15, 2021
OPINION | Positive stereotypes are as toxic as negative ones
Doxey Kamara, Intersections Editor
• December 8, 2021
OPINION | Diversity in “Mulan” proves Hollywood has long way to go
Leah Martino, Contributing Writer
• September 30, 2020
‘The Farewell’ introduces second-generation American storytelling to Hollywood
Shahamat Uddin, Intersections Editor
• August 28, 2019
Oscars watch 2019: still too white?
Grace Yang, Contributing Writer
• February 28, 2019
“Crazy Rich Asians” provides necessary, though limited, platform for Asian-American voices through Hollywood
Hugo Fajardo, Intersections Editor
• September 6, 2018
Representation in Hollywood is on the rise
Hugo Fajardo, Associate Intersections Editor
• March 12, 2018
Newcomb Art Museum’s film screening highlights legacy of women directors
Luo Qi Kong, Staff Reporter
• October 25, 2017
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